Great Image of the King
Nebuchadnezzar implemented his dream by “setting up” the great golden image to glorify his majesty and sovereignty - Daniel 3:1-7.
King Nebuchadnezzar invested great effort to make his dream image a reality. First, he “set up” an enormous image
to represent his majesty and the irresistible power of his empire. Then, he
commanded all the “peoples and nations and tongues” of his realm to
render homage to his image or face certain
death in the “burning fiery furnace” - [Photo by peter bucks on Unsplash].
The story is the sequel to the dream and
interpretation recorded in chapter 2, which is borne out by the verbal and
conceptual links between the two stories, and by the omission of any
chronological reference at the start of chapter 3:
- (Daniel 3:1-2) – “Nebuchadnezzar the king made an image of gold, its height sixty cubits, its width thereof six cubits. And he set it up in the plain of Dura in the province of Babylon. And Nebuchadnezzar the king sent to gather the satraps, the nobles and the pashas, the chief judges, the treasurers, the judges, the lawyers, and all the rulers of the province to come to the dedication of the image, which Nebuchadnezzar the king had set up.”
The image with the “head of gold” from
the king’s dream set the stage for what now follows as the king attempts to
implement that image in his own way. This he does by setting up
an enormous image covered entirely with gold to symbolize his glorious realm
and absolute sovereignty.
The king “set up” the image in
the “plain of Dura.” Its location remains
uncertain. “Dura” means
“wall” or “rampart,” which suggests a site within one of the series of great outer
walls that surrounded the city. “Plain” points to a broad and level
area able to accommodate large numbers of people, which is how the translators
of the Greek Septuagint understood
the clause by translating it as the “plain of the wall” - (en pediō
tou peribolou).
More importantly, the “plain”
echoes the story of the Tower of Babel when humanity settled in
Mesopotamia, all men spoke “one tongue,” and they journeyed east to find
a “plain in
the land of Shinar and dwelt there.” So, also, Nebuchadnezzar
intended for his empire to speak the “tongue” of Babylon, and now planned to
gather representatives of all “peoples” to this vast “plain” in
Babylon - (Genesis 11:1-9, Daniel 1:2).
- (Daniel 3:3-7) – “Then the satraps, the deputies, and the governors, the judges, the treasurers, the counselors, the sheriffs, and all the rulers of the provinces were gathered to the dedication of the image that Nebuchadnezzar the king had set up; and they stood before the image that Nebuchadnezzar had set up. Then the herald cried aloud, To you, it is commanded, O peoples, nations, and languages, that at what time you hear the sound of the cornet, flute, harp, sackbut, psaltery, dulcimer, and all kinds of music, you fall down and render homage to the golden image that Nebuchadnezzar the king has set up; and whoever falls not down to render homage will the same hour be cast into the burning fiery furnace. Therefore, at that time, when all the peoples heard the sound of the cornet, flute, harp, sackbut, psaltery, and all kinds of music, all the peoples, the nations, and the tongues fell down and worshipped the golden image that Nebuchadnezzar the king had set up.”
There is a deliberate contrast with the
preceding story. In chapter 3, the king “set up”
his image, but in chapter 2, Daniel declared that it is Yahweh who “sets up kings and
removes kings.”
The image “set up” by Nebuchadnezzar was sixty cubits
high by six cubits wide, approximately ninety
feet by nine feet. The dimensions reflect the Babylonian sexagesimal or
60-base number system, further evidence that the author of Daniel was
familiar with the culture of Ancient Babylon. Nothing is said about the
shape of the image, though the dimensions suggest an obelisk. The passage does
not identify what god or human was represented by it.
Nebuchadnezzar was famous for restoring the
temples of Babylon that were dedicated to her many gods. The addition of another
image inside a temple would not have been unusual, but the placement of an idol
in an open space for all men and women to see and venerate was unique.
In the interpretation of the king’s dream, the
“stone” that destroyed the four kingdoms represented by the “great
image” was “cut without hands.” In contrast,
Nebuchadnezzar “set up”
his image, a rendering of the Aramaic verb qum, which is repeated nine
times in the story to stress the point. It was Nebuchadnezzar who “set up” his image - (Daniel
3:1, 3:2, 3:3 [twice], 3:5, 3:7, 3:12, 3:14, 3:18).
Photo by frank mckenna on Unsplash |
In contrast, the God of Heaven “sets up” (qum) kings, He “set up” the image with the golden head in the king’s dream, and He “set up” the everlasting kingdom “cut without hands” that would destroy all the empires that preceded it, including Nebuchadnezzar’s domain - (Daniel 2:21-31, 2:44).
The king commanded all the “satraps,
nobles, pashas, chief judges, treasurers, judges, lawyers, and governors to
assemble to the dedication of his image.” Anyone who refused to do so would
be summarily executed. The officials summoned by Nebuchadnezzar represented all
the “peoples, races, and tongues” of his realm. By proxy, therefore, all
nations rendered homage to his image - (Daniel 3:2-6).
The image represented the absolute power of
the king. He did not demand worship for himself, but instead, required homage
to his image, a show of total allegiance to his sovereignty. Wittingly or not,
by this act, he defied the sovereignty of the “God of Heaven” - (Daniel
2:20-22).
In Revelation. Language from this passage is used in the portrait of the “beast from the earth” who causes all the “inhabitants of the earth” to render
homage to the image of the “beast from the sea,” and especially for the “number of the beast,” ‘666.
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